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Vaccinius

Thursday, 14 May 2020

My compounds

Ai have now made a presentation of all my compounds, speaking of compositions, on vaccinius.com, and my feeling is like the feeling aI had when aI made all symbols in Words for Windows my own, and later made all symbols of OpenOfiice Writer my own. You see. Ai am very satisfied, and aI am highly impressed by the performances of that, or those, orchestra(s), which aI believe in fact is done by my relatives, which is the “trรธnder”. Right? Get it.

Ai feel my music is performed by the “Luftforsvarets musikkorps” in Trondheim, combined with musicians from the symphony orchestra of the town. “Luftforsvarets musikkorps” is the “Air Defence Brass Corpse”.

The violin excitement, though, aI feel is performed by a specific group of females. The string quartet, that is. Ai made a “favourite” once, in one of my browsers, to those in question, and now aI cannot find it. It does not matter. The performances are wonderful, and God knows.

You will find the compounds labelled “<b>♪♫♪ Compounds</b> in the English part of the site.

There are some specific notices, aI believe, speaking of those compounds. The fact aI make wonderful songs together with wonderful compositions is apart from this. You know, God is in charge, and Jesus Christ is He.

<ol border=”0”><li>The use of the trombone in “<b>8th of March</b>” is enthusiastic. You must understand, the trombone stands in an energy together with the trumpet. And this composite is made for women, right?</li>

<li>The change of key from major to minor in “<b>Rainbow</b>” is funny. It is effectfull. As we say in Norwegian. “How dare you,” that is</li>

<li>The change of key made by the winds in “<b>Marions motiv</b>” is exceptional, and a thing to do which aI found worthy already in my first short composition, being “<a href=”https://soundcloud.com/anders-woje-ellingsen/lolita”>Lolita</a>”.</li>

<li>The engagement of different groups of the orchestra, being the winds and the brass and the strings, not counting the drums, is effectfull.</li>

<li>The stupid engagement of the flute is interesting. You know, the flute covers it all. And aI make it pointing. And: Also the trumpet aI make pointing.</li>

<li>The wonderment of strings cannot be disputed in my compositions. Those are bearing, and make wonders on their own.</li>

<li>The use of the cello in my compositions is specific, and made to get that instrument noticed.</li>

<li>My music is not named preludes, not interludes, not emiludes. My music is what the title says.</li>

<li>Ai have presented my early short compositions in my compounds. Ai love those.</li></ol>

Thank, you.


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